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c. 1445 – May 17, 1510. Italian painter.

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Pontormo
St Luke

ID: 98291

Pontormo St Luke
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Pontormo St Luke


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Pontormo

Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.   Related Paintings of Pontormo :. | Two Nudes Compared | Eve were driven out of | Holy War | St. Jerome | Holy Family |
Related Artists:
Charles Altamont Doyle
1832-1893 was a Victorian artist. He was the brother of the artist Richard Doyle, and the son of the artist John Doyle. Although the family was Irish, Doyle was born and raised in England. In 1849 he moved to Edinburgh where he met Mary Foley. They were married on 31 July 1855. Their children included Arthur Conan Doyle, creator of Sherlock Holmes, John Francis Innes Hay Doyle (known as Innes or Duff), and Jane Adelaide Rose Foley n??e Doyle (known as Ida). Doyle was not as successful an artist as he wished, and suffered depression and alcoholism. His paintings, which were generally of fairies, such as "A Dance Around The Moon", or similar fantasy scenes, reflected this, becoming more macabre over time. In 1881 Doyle was committed to a nursing home specialising in alcoholism. While there, his depression grew worse, and he began suffering epileptic seizures. Following a violent escape attempt he was sent to Sunnyside, Montrose Royal Lunatic Asylum, where he continued to paint. He died in Crighton Royal Institution in 1893.
William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
Paul von Franken
(1818- 1884 ) - Painter painted Paul von Franken. View of Tiflis in 1866






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